“Reiterating Hierarchy and the Failed Promise of the Global.” Twentieth-Century Music 20, Special Issue 3: Global Musical Modernisms (October 2023), 378–401.  https://doi.org/10.1017/S147857222300018X

“Misreading Revueltas: Ambivalence and the Second String Quartet.” Súmula: revista de teoría y análisis musical 1, no. 1 (April 2023), 22–46. https://doi.org/10.59180/29525993.a0121888

“Resolving Chords to Resolve Anxieties: Challenges to Minimizing SATB Voice-Leading in the Curriculum.” Journal of Music Theory Pedagogy, 35 (2021). In six-author colloquy, “Corralling the Chorale: Moving Away from SATB Part-Writing.”

“‘Musique cannibale’: The Evolving Sound of Indigeneity in Heitor Villa-Lobos’s Tres poêmas indigenas.” Music Theory Spectrum 43, no. 1 (Spring 2021), 91–113.

“The Racial Limitations of Country-Soul Crossover in Bobby Womack’s BW Goes C&W, 1976.” Special issue of Journal of Popular Music Studies, “Uncharted Country,” 32, no. 2 (2020), 112–130. https://doi.org/10.1525/jpms.2020.32.2.112

“‘Together Again,’ but We Keep On Crying: Buck Owens, Tom Brumley, and the Pedal Steel.” Music Theory Online 25, no. 2 (2019). https://doi.org/10.30535/mto.25.2.2